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Bits of Australia is a member of the Indigenous Art Code ensuring ethical standards are in place when we source Indigenous products and that we respect Indigenous cultural practices and Artists’ rights.
As a signatory to the Indigenous Art Code we are focused on ensuring ethical standards are in place when we source Indigenous products and that we respect Indigenous cultural practices and Artists’ rights.
2020/18ny
Artist: Michaela Napaljarri Williams
Artwork: Mina Mina Jukurrpa (Mina Mina Dreaming) - Ngalyipi
Size: 76cm x 61cm
Acrylic Canvas: Artwork delivered rolled.
View Artwork In: Manly shop
The painting is accompanied by a signed and dated Certificate of Authenticity which tells the story related to the painting and some information about the artist.
Sale of this artwork directly benefits the Artist and the Warlukurlangu Art Centre.
Buy Aboriginal art at Bis of Australia!
Visit the Bits of Australia souvenir shop in Manly to view this stunning dot painting or purchase it online .he artwork is delivered rolled so you can choose how and when you would like to display it.
This artwork is by Indigenous Artist Michaela Napaljarri Williams and she paints Mina Mina Jukurrpa. Stories passed down to her by her family for millennia.
The ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.
In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.
The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.
In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).
This original Aboriginal artwork is from the Warlukurlangu Art Centre. Established in 1985 Warlukurlangu is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.
Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.
This original Aboriginal artwork is from the Warlukurlangu Art Centre. Established in 1985 Warlukurlangu is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.
Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.
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