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Bits of Australia is a member of the Indigenous Art Code ensuring ethical standards are in place when we source Indigenous products and that we respect Indigenous cultural practices and Artists’ rights.
As a signatory to the Indigenous Art Code we are focused on ensuring ethical standards are in place when we source Indigenous products and that we respect Indigenous cultural practices and Artists’ rights.
9397/22
Artist: Kathy Napangardi Bagot
Artwork:
Size: 30cm x 30cm
Acrylic Canvas: A ready to hang artwork.
View Artwork In: Balmain East shop
The painting is accompanied by a signed and dated Certificate of Authenticity which tells the story related to the painting and some information about the artist.
Sale of this artwork directly benefits the Artist and the.
An original Aboriginal art for sale that is ready to hang.
The 30cm x 30cm canvas is an authentic Indigenous artwork from Central Australia and has been stretched and is ready to hang on your wall.
The Indigenous Artist Kathy Napangardi Bagot is a painter with the Aboriginal owned art centre Warlukurlangu which is based in the remote community of Yuendumu approximately 290 km north-west of Alice Springs in the Northern Territory.
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The ‘kirda’ (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
This pre-stretched original Aboriginal artwork makes a unique Australian gift for birthdays, Christmas, weddings and other special occasions.
This original Aboriginal artwork is from the Warlukurlangu Art Centre. Established in 1985 Warlukurlangu is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.
Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.
This original Aboriginal artwork is from the Warlukurlangu Art Centre. Established in 1985 Warlukurlangu is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.
Warlukurlangu Artists is famous for its gloriously colourful acrylic paintings. The art centre has a national and international profile and its art has been featured in hundreds of exhibitions and publications in Australia and around the world.
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